The luminous French cinema landscape continues to captivate global audiences, with a fresh wave of compelling projects emerging from leading independent producers. At the forefront of this excitement is the casting of César winner Nadia Tereszkiewicz, whose magnetic screen presence has been a highlight of recent European cinema, in “Souveraines.” This highly anticipated feature debut from acclaimed filmmaker Rémi Allier promises a gripping exploration of radicalism, family bonds, and the insidious nature of conspiracy theories, underscoring the depth and thematic ambition prevalent in contemporary French productions. Tereszkiewicz, celebrated for her roles in films such as “The Crime Is Mine” and “Forever Young,” brings her unique blend of vulnerability and fierce intelligence to what is set to be a complex and thought-provoking narrative.
Rémi Allier, a director whose artistic pedigree is already firmly established, steps into the feature film arena with “Souveraines.” Allier is no stranger to critical acclaim; his 2017 short film, “Little Hands,” not only earned him a César Award, France’s highest cinematic honor, but also garnered international recognition by being shortlisted for an Oscar. This early success positioned Allier as a filmmaker with a keen eye for human drama and a distinctive narrative voice. “Souveraines” marks a significant evolution in his career, offering a broader canvas to explore intricate themes. The film’s premise is particularly timely and resonant, centering on a fiercely devoted mother and daughter who are deeply enmeshed in an eco-terrorist cell, driven by radical, conspiracy-fueled ideologies. The narrative takes a dramatic turn when, following a sabotage operation on a wind turbine, the mother is arrested and consequently loses custody of her daughter. The young girl is then placed with her aunt, a figure who represents a starkly different worldview, introducing her to perspectives that challenge the ingrained beliefs she shares with her mother. This creates a profound internal conflict for the daughter, who, despite her exposure to new ideas, remains profoundly influenced by her mother’s conviction that society is imperiled by a vast, shadowy elite conspiracy. The film promises to be a powerful character study, delving into the psychological impact of radicalization and the enduring power of familial influence against a backdrop of societal anxieties.
The ambitious project is being brought to life by a collaborative team of esteemed producers. Lionel Massol and Pauline Seigland, the creative forces behind Brittany-based Films Grand Huit, are producing “Souveraines.” Films Grand Huit has built a strong reputation for backing artistically significant and critically acclaimed works, including the recently lauded “Ghost Trail.” Joining them in this endeavor is Benoît Roland of Wrong Men, another prominent production house known for its discerning taste and commitment to quality cinema, exemplified by titles like “The Mysterious Gaze of the Flamingo.” This formidable combination of production talent ensures “Souveraines” is in expert hands, poised for a robust production later this year.
Beyond “Souveraines,” Films Grand Huit is demonstrating its commitment to fostering diverse and impactful cinematic voices through an impressive and varied slate of upcoming projects. Their strategic vision underscores a dedication to both emerging talents and established auteurs, solidifying their position as a key player in the European independent film scene. One of the most anticipated titles on their roster is “Disorder,” the next feature from the visionary director Giacomo Abruzzese. Abruzzese’s 2023 debut, “Disco Boy,” made a significant splash on the international festival circuit, premiering in competition at the prestigious Berlin International Film Festival and earning him the coveted Silver Bear for Outstanding Artistic Contribution. This recognition highlighted Abruzzese’s distinctive visual style and ability to craft compelling narratives. “Disorder,” co-produced with Dugong in Italy, is an Italian-language film that transports audiences back to 1990s Milan. The film is set against a pivotal backdrop of societal transformation, exploring the rapid rise of private television and the emergence of a new ruling class, offering a nuanced look at a period of significant cultural and political shift. The project has already garnered substantial industry support, being selected for the Marché du Film’s Investor Circle and receiving backing from Italy’s MIC and the Franco-Italian fund, signaling strong confidence in its potential. Production for “Disorder” is slated for late 2026, with KMBO confirmed to handle its distribution in France, ensuring a wide release for this promising work.
Films Grand Huit’s immediate future is also packed with releases and productions that showcase their eclectic taste. “Vanishing Goats,” a film that has already completed production, is set to grace French theaters in April. This film is a testament to the multi-talented theater luminary Marie Remond, who not only wrote and directed the feature but also takes on a starring role. The narrative of “Vanishing Goats” follows a French director grappling with the complexities of extricating herself from a toxic relationship, all while simultaneously navigating the exciting, yet challenging, terrain of landing her big break in the industry. Remond’s unique perspective as both creator and performer promises a deeply personal and authentic portrayal of artistic ambition intersecting with personal turmoil.
Hot on the heels of “Vanishing Goats'” release, production is scheduled to commence in June for “Une de perdue, une de perdue.” This charming and insightful queer rom-com is the brainchild of Mathilde Elu, and it promises to be a refreshing take on the genre. The film charts a transformative bike trip along the picturesque Breton coast, where the stunning natural landscapes and serendipitous encounters become a catalyst for a journey of emotional emancipation. Elu’s vision for the film is to explore self-discovery and love against a backdrop of breathtaking scenery, making it a truly immersive experience. The cast assembled for “Une de perdue, une de perdue” is a vibrant ensemble of notable talents, further elevating its appeal. It features standup comic Laura Felpin, known for her sharp wit and breakout role in “Banger”; the acclaimed singer-songwriter Pomme, whose artistic depth was showcased in “Spirit of Ecstasy”; the compelling Louise Chevillotte, recognized for her work in “Benedetta”; and the dynamic Harpo Guit, who made an impression in “Mother Schmuckers.” This blend of comedic timing, musical artistry, and dramatic prowess promises a dynamic and memorable on-screen chemistry.
Looking further ahead, Pauline Seigland and Lionel Massol continue to cultivate a robust development slate, indicating a steady stream of engaging projects for the coming years. Among these promising features are “Les Rêves Tempêtes,” which reunites them with Jonathan Millet, the director of “Ghost Trail,” signaling a continued fruitful collaboration. Millet, like Nadia Tereszkiewicz, has been recognized as a Unifrance Talent to Watch, underscoring his rising profile in international cinema. Also in development are “Deepfake” from the innovative Ismaël Joffroy Chandoutis, a project that is likely to delve into contemporary technological anxieties; “Ici Repose” by the talented Moly Kane; and “La disparition des dinosaures,” a intriguing title courtesy of Élie Girard. This diverse lineup reflects Films Grand Huit’s commitment to exploring a wide array of genres and themes, from social commentary and personal drama to technologically driven narratives, all while championing distinctive directorial voices.
The consistent recognition of talents like Nadia Tereszkiewicz and Jonathan Millet as Unifrance Talents to Watch at successive editions of the Unifrance Rendez-Vous in Paris is a clear indicator of the robust health and international appeal of French cinema. These accolades not only celebrate individual achievements but also shine a spotlight on the innovative spirit and artistic excellence that define the French film industry today. As these exciting projects move from concept to screen, they promise to enrich the global cinematic landscape with compelling stories, powerful performances, and the distinctive vision of some of Europe’s most promising filmmakers.
